“I hope my music can invite people who feel very disconnected from whatever island community they descend from – people who may be away from the land and communities – to feel OK about it and feel connected. She also hopes it can also be a source of support for people struggling with their relationship to their Pacific heritage. That’s a beautiful place for it to live and prosper.”
“As Pacific languages are less necessitated in the day to day, you have to find a role for it. Most of the about 10,000 people who claim Tokelauan descent now live in New Zealand.įoa’i believes integrating Gagana Tokelau into her music is crucial to the language’s ongoing survival.
Unesco classifies it as “severely endangered”. Originating from the three atolls of Tokelau, about 5,000 people speak the language. Like many Pacific languages, Gagana Tokelau has few remaining speakers.
She believes popular music is a “powerful tool” in the revitalisation of Pacific languages, largely because music that integrates indigenous language “provokes in people the feeling that the language is for them”. Photograph: Pieter du PlessisĪccording to Henderson, many Pacific languages – of which there are more than 1,200 – are now “acutely threatened”, both in the diaspora and in their home countries, because English remains “the prestigious language of opportunity”. “Pacific languages are the repositories of that Pacific knowledge,” says April Henderson, a senior lecturer in Pacific studies at Victoria University of Wellington.įoa’i says her latest release ‘means so much more to me in Gagana Tokelau than it would in English’. They are part of a resurgent focus throughout the Pacific on the threats that indigenous languages face, through initiatives such as Te Wiki o te Reo Māori, or Māori Language Week, which New Zealand is celebrating this week. Meanwhile, in the Pacific Islands, prominent regional musicians such as Josh Tatofi in Hawaii and Kas Futialo from Samoa are producing music partly or exclusively in indigenous languages.Ĭollectively, many of these musicians hope to rebuild languages that had previously been in slow decline and provide a source of connection for culturally isolated communities.
In New Zealand stars such as Lorde and Si圆0 have released versions of their most recent music in both English and Te Reo Māori, while Australian musician Mitch Tambo has won praise for his performances of the iconic song You’re The Voice in Gamilaraay language.
#Minion songs with lyrics movie#
For example, the second movie answers "what will Gru do, now that he's not a villain, and can he support his girls alone?" The third movie builds off of his struggles of leaving villainy along with answering the questions of "what will the Minions, who are bred to serve evil, do now that Gru is no longer a villain" and "is Gru truly happy with his new job and new life?" So, I would argue that the Despicable Me franchise was pretty well thought through and not too heartless, though some of the movies were certainly not as well done as some of the others, specifically the first Minions movie.Olivia Foa’i performs with her father, Opetaia Foa’i (left with guitar), and backup singers at the Aotearoa music awards in 2017. Nefario?" The direct sequels to Despicable Me answer the questions left by Gru's decisions in the first movie. For example, the Minions movie and Minions Rise of Gru, answer the questions of "who and what are the Minions and where did they come from" and "how did Gru rise to power and how did he meet Dr. While I agree the first Despicable Me movie was the best out of the franchise, I would say that the following movies and spin-offs quite meaningfully answer the previously unanswered questions left by the first movie. Demolisher Frog Ghost Gaming I'm sorry, I'm going to to politely disagree, here.
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